The Genius of Photography- Part 5 ,,We Are Family "

1) Who said “ The camera gave me the license to strip away what you want people to know about you, to reveal what you can’t help people knowing about you”, and when was it said?

Above sentence was said by Diane Arbus in the early 60s. She was an American photographer who believed that the camera had the ability to steal other peoples faces and life. By taking pictures she tried, in her own words ‘’be good’’. She badly wanted to be someone else and by her images she identified herself with the photographed person.

2) Do photographers tend to prey on vulnerable people?

Photographers have always looked for marginalised subjects to photograph. It is a big controversy in recent years whether or not photographers tend to prey on vulnerable people. For example people who are exposed socially, economically or culturally in some way. For me question is whether the photographer feels compassion for his subject or is simply driven by his hungry eye... Personally as much as a photographer can feel sorry for a subject, he always wants to create a piece of art, an image with a meaning, document a history and capture life. Sometimes it means to take advantage of a poor situation and to draw attention to other people. On the other hand that can work in favour for the photographed subject and resolve misfortune.

3) Who is Colin Wood?

Colin Wood is a 7 years old (skinny) boy who’s photograph was taken in 1962 in Central Park, NY by Diane Arbus. The photo is funny but also tragic because a boy holds a grenade in his hand.

4) Why do you think Diane Arbus committed suicide?

Diane’s work is all about her, is a reflection of herself in her photographs. It looks that she wanted to be anybody but herself. The level of empathy which is so rare in any art because she so desperately didn’t want to be herself. Personally I think we would never find out why she took her own life in 1971. 

5) Why and how did Larry Clark shoot “Tulsa”?

Larry Clark was taking photos of his own life, a life of hanging out with friends, taking drugs, getting lay with a neighbourhood. He was an insider which made his work more authentic. He photographed the part of America that no one was bothered to see. A piece of photojournalism. In his hands photography became as personal and confidential as written diary because he was one of them not one of us.

6) Try to explain the concept of “confessional photography”, and what is the “impolite genre”?

The ‘’confessional photography’’ is the genre of photography which tells the story about our own life and experience. It is like personal diary which shows different aspect of a journey. Larry Clark opened this new “impolite genre”, photos were profound and porn. It is rather impolite, more intimate and clearly shows this nasty things that nobody wants to know about it.

7) What will Araki not photograph, and why?

Araki is Japanese photographer and contemporary artist who captures daily life. There is nothing Araki would photograph. Having all the photos helps him to remember. He doesn’t shoot what he doesn’t want to remember only things are worth remembering.

8) What is the premise of Postmodernism?

Postmodernism is taking place now. We are living in a culture so saturated with media imagery and media models of how people live that our life is made of media myth. People are influenced by media start to lose the own identity. It has affected portrait photography in the studio as people create themselves for someone they aren’t.

The Genius of Photography- Part 4 ,,Paper Movies"

1) Why did Garry Winogrand take photographs?

Garry Winogrand was an American street photographer known for his portraiture in the mid-20^th century. He took photographs to see what the world look like in photographs.

2) Why did “citizens evolve from blurs to solid flesh”?

At the beginning of developing photography the technology wasn’t good enough to capture life on the street. It moved too fast for the long exposure time which was necessary. The first street scenes were set up. After some time technology improved and “citizens evolve from blurs to solid flesh”.

3) What was/is the “much misunderstood theory”?

The much misunderstood theory was/is decisive moment assigned to Henri Cartier-Bresson.  He was a French photographer considered to be the father of modern photojournalism. In 1952 he published a book called ,,The decisive moment’’.

4) Who was the godfather of street photography in the USA?

Garry Winogrand was the godfather of street photography in the USA.

5) Who was Paul Martin and what did he do?

Paul Martin was a  British photographer. In 1896 he brought a camera to the beach, hiding it in a paper bag. He photographed Victorians of that time relaxing by the Yarmouth seaside.

6) Who said “When I was growing up photographers were either nerds or pornographers”?

Edward Ruscha

7) Why does William Eggleston photograph in colour?

Eggleston’s reputation rests on colour photographs  that he took from early 70s onwards. His photographs were published in the book called ,,William Eggleston’s Guide’’. He calls his pictures “democratic” adding that he is at “war with the obvious”. In his work he tries to capture the real world and colour describes more than black and white, it is more dominant. To some his photos are boring, disturbing and indiscriminate but to the others exceptional and beautiful.  

8) What is William Eggleston about?

He calls himself a photographer who photographs the life today. He comes across hard to communicate and it difficult to talk with him about his own work. The meaning of many of his photographs have been left unexplained.

The Genius of Photography- Part 3 ,,Right Time, Right Place"

1) What is described as “One of the most familiar concepts in photography”?

Henri Cartier Bresson in 1933 took an image of a man jumping into the unknown. He captured a fraction of the second in the right place and in the right time. Since that photograph a decisive moment is one of the most recognisable concept in photography.

2) Should you trust a photograph? (1.38m G3)

“We thought that was the world, now we realised that there was lot of missed in that. Trusting the photography that was probably a huge mistake from the beginning”

Philosopher Arthur C.Danto

 3) What was revolutionary about the Leica in 1925?

Leica launched in Germany in 1925. It was revolutionary camera as it was compact and quite, at that time the latest lens technology which gave birth to the whole new style of instant photography. It was also light weight and easy to carry.  It had a viewfinder placed in the left side of the camera which allowed the left eye to look around.

4) What did George Bernard Shaw say about all the paintings of Christ?

“I would exchange every painting of Christ for one snapshot”. Photography is about capturing the reality and that is evidence of truth.

5) Why were Tony Vaccaros negatives destroyed by the army censors?

Tony Vaccaros was a GI soldier and photographer on a daily basis. 10 rolls of the negatives were destroyed because they contained images of dead GI’s, a decisive moment that the world wasn’t yet ready to accept.

 

6) Who was Henryk Ross and what was his job?

Henryk Ross was a polish Jew. He was a photographer who kept the unique record of what happened in the Ghetto in Lodz. Amongst his many duties as official Ghetto photographer Ross had to document a production of goods for inhabitants of Lodz to make money. He produced the identity cards pictures, worked for a graphic department and had a responsibility for promoting the goods which were in the Ghetto.

7) Which show was a “sticking plaster for the wounds of the war”, how many people saw it and what “cliché” did it end on?

“The family of man” was an exhibition which included over 500 photographs from 273 photographers. The first show was opened to the public in New York in 1955 and after toured the world showing to over 9 million  visitors. The collection ended with Eugene Smiths photograph of his own children walking in his own garden out into the light. The cliché  about beginning of sentimental journey through life.

8) Why did Joel Meyerowitz photograph ground zero in colour?

Joel Meyerowitz photographed ground zero in colour because he was certain  that black & white photographs would emphasise this sad event and would keep New York in deep tragedy. There is a tragic element to B&W photography in that case not war but the collapse of structure. Colour photographs give hope and strength to face misfortune.

The Genius of Photography- Part 2 ,,Documents for Artists’’

1) What are Typologies?

Typology is a study of types. In photography it is the systematic, accurate recording of places, people and things (to create pure a document, just the facts nothing else). The series of photographs usually taken in a similar way (angle, lighting, composition, framing) which enables comparison of the subjects. 

 

Bernd & Hilla Becher

 2) What was “The Face of The Times”?

August Sander was a German commercial portrait photographer who in 1929 published his selection of the portraits under the title ,,The Face of The Times’’.  His human typology used a system of categorisation based on 7 social types and focused on functionality of the individual in society. He presented these images as strict documentary however each of them have a meaning behind it that you couldn’t talk about at the time when they were created (chaos in Germany during the period of post war).

August Sander

3) Which magazine did Rodchenko design?

Rodchenko designed the “URSS en construction” magazine. He was a master of photo- montage who introduced a new way of seeing. This radical photographic style was combined with cutting edge graphic to create political propaganda.

4) What is photo-montage?

Photo-montage is a graphic technique which has been taken from cinema montage. It’s composition obtained by  cutting, posting, retouching separate photographs and  re-photographing very last outcome. The final piece has a different and stimulated  meaning more than the original photographs.

5) Why did Eugene Atget use albumen prints in the 1920’s?

Albumen prints were used to print in the sunshine not in the darkroom. For 1920 the technique was quite old. However Atget didn’t know how to print using modern material and methods.

6) What is solarisation and how was it discovered?

Solarisation was discovered by Man Ray’s assistant Lee Miller in the late 1920s. No camera is involved when making this type of photograph. Solarisation is simply a characteristic effect created by exposing the print or film while is developed to the white light. It is a surrealistic metallic effect with areas of reverse tones like on negatives.

Man Ray

7) What was the relationship between Bernice Abbott and Eugene Atget?

Bernice Abbott was an assistant of Man Ray.  Eugene Atget was also a photographer and his work was inspiring for Bernice Abbott and she decided to take a portrait of Eugene Atget in 1927.

8) Why was Walker Evans fired from the FSA?

Walker Evans in 1935 was commissioned to produce propaganda images for the FSA – Farm Security Administration (the photography program created by American government to deal with the crisis). The photographs were supposed to show a perfect and idealised society in America. Evans shaped reality to fit his personal vision but he couldn’t make that vision fit to the propaganda requirements of FSA. He was sacked in 1937.